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Do you do your mixes in the highest quality you can? I’ve done that with his albums on vinyl, in surround sound, and via 96/24 high-res files. Listening to a good Mark Knopfler record on a high-quality speaker system that’s optimized in your living room - that would be the best way. The sound quality of the records he makes and produces are always top-notch. Mark Knopfler is one of my all-time favorite artists, ever since he was in Dire Straits. I really like how he produces his albums, but it’s in a totally different genre. He’s a great example of a really good sound guy. “I respect the production part of a song I’m not trying to overproduce it.” He’s more into the future house and deep house. I would probably say, there’s another Norwegian guy called Funkin Matt. Is there a record by somebody else you consider to be a benchmark in terms of sound quality? They don’t know how you should have a bass line be real and big, but at the same time, let you feel the kick. They don’t know how sounds are supposed to be in a big room with big speakers. It’s more advanced than other tropical house acts, because - and don’t misunderstand me, many of them are talented, the ones who produce from home - they don’t have the basic knowledge of sound. The Matoma sound is when you hear that kick and you hear all the elements of the songs, like the groovy bass lines. I respect the production part of a song I’m not trying to overproduce it. Matoma: Yeah, probably! I went to music school for three years, taking music technology and production. “I’m working really hard to keep spreading the love and making good music that’s danceable for festivals and clubs.” Digital Trends caught up with Matoma in Southern California, not long after he had his first outing on a jet ski (“So much fun - it was really cool!”), to discuss his remixing style, how he created his own sample pack, and why MP3 is “common.” Get ready to sing, relax, and feel.ĭigital Trends: Do you think having been classically trained on the piano influenced how you respect melody and song structure in your remixes?
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“We may have someone ‘featuring’ on the first Matoma single, which is a new song, but I’m not sure yet,” he reveals. I think people listen to my remixes because they almost sound like originals.”Īs much as he loves remixing, Matoma (born Tom Stræte Lagergren) is now working on crafting his own original material. “I always like to try out new melodies, but at the same time, I always have it in my head that I should try to complement the vocals as much as I can. “When I’m remixing a new artist, it’s OK to play with the lyrical part, but you should still have respect for the original and complement the original vocals and the production,” he continues. “For example, with Old Thing Back, I didn’t fuck with the lyrics because I have too much respect for Biggie. “When I do a remix, I always consider the original,” Matoma explains. So why does Matoma have such a deep connect with listeners across the globe? His remixes are born out of respect for the source material. Just take a deep sip of his reimagining of Eminem’s Business, Jay-Z’s Roc Boys, or Imagine Dragons’ It’s Time to keep your summer party going strong. Old Thing Back isn’t Matoma’s only big - sorry, I mean B.I.G.
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“I wanted to keep the legacy of the greatest rapper of all time alive to the new kids, because the hip-hop they’re listening to today doesn’t have the heart.”
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“It’s the most played and the most popular DJ song, which is quite unique,” marvels the 24-year-old Norwegian. That’s the main part in the song.”ĭogs days of summer getting you down? Might we suggest cuing up some tropical house music to instantly brighten your mood - namely, Matoma’s remix of The Notorious B.I.G.’s Old Thing Back, which has garnered a staggering 73 million listens on Spotify to date. When you’re doing a remix, you always have to consider the vocals.